Wednesday, 26 October 2011
New Artwork
Just a little posting tonight! here are some new 'paintings' I have made to go in the Georgian house. They're just right for the period! Sorry the photo is a bit fuzzy, I probably got too close with the camera. No idea who actually painted either of these, but I really like the little landscape. The frames came from Hobby's (UK) and look quite good, they're only about £4.50 for the pair, so good value too.
see, www.hobby.uk.com for more details.
Sunday, 23 October 2011
The Rise and Fall of the Hall
Barley Hall
In most homes today the hallway is little more than a passage way leading from the front door to selected rooms on the ground floor, and usually contains the staircase to the floor above too. There are many homes that have no hall at all, and the front door leads straight into the main reception rooms (if that doesn’t make me sound too much like an estate agent!). It wasn’t always that way, in fact, in the past the hall was the biggest and most important room in the house. In the Middle Ages it was where the household spent most of their daily lives; they ate there, and slept there, were entertained there and kept warm there. The master of the house, his family and servants ate and slept in the same room, there was little or no privacy, although status was clearly defined by the position you sat in the room when eating, the master and family at the head table, often raised on a dais, and the servants seated at benches along the side of the room. A fire was kept in the centre of the room, smoke rising to a louvered panel in the roof, the chimney and fireplace where things of the future! The fire was covered overnight to prevent fires, and you would have bedded down on little more than straw overnight. Another fire precaution was to keep the kitchens separate from the hall, often in a completely different building. Other features you might have seen in a medieval hall were the screens passage and gallery above.
Haddon Hall
Over time the Master and his family desired more privacy, and began to withdraw from the hall and the lives of the servants. These ‘withdrawing’ rooms were where the master of the house and his family would eat and sleep, but the hall would still have been used for feasting and entertaining guests. New furniture was designed for these private rooms; beds became more common, with heavy drapes to keep out the chill of the night, supported by bedposts. Tapestries would also help keep out the draughts, as well as showing of a family's status and wealth; none of these furnishings came cheaply!
But, even as more and more private rooms were added to houses, the hall didn’t disappear. That isn’t to say that it didn’t become smaller in some cases; to make room for the new private rooms a floor was often inserted reducing the height of the hall, and creating a new first floor for the family. Another development was the fireplace and chimney, however early chimneys weren’t terribly effective and lots of smoke would still have drifted into the hall. Chimneys were expensive and were a clear status of wealth, one that could be seen from outside the house too, and large elaborate chimney stacks were added to the roof line of many grand houses, often made of brick, another expensive product!
But, even as more and more private rooms were added to houses, the hall didn’t disappear. That isn’t to say that it didn’t become smaller in some cases; to make room for the new private rooms a floor was often inserted reducing the height of the hall, and creating a new first floor for the family. Another development was the fireplace and chimney, however early chimneys weren’t terribly effective and lots of smoke would still have drifted into the hall. Chimneys were expensive and were a clear status of wealth, one that could be seen from outside the house too, and large elaborate chimney stacks were added to the roof line of many grand houses, often made of brick, another expensive product!
By the end of the Tudor period the servants were being kept largely out of site in the main house, and the hall was little more than an entrance to a house, where visitors would wait. But it was still an important room when it came to status. In humble dwellings people still lived as they had for centuries before with only one or two rooms to perform daily rituals and sleep. By having a hall, as well as showing the family's ancestral heritage, a person was showing that they could afford the space for a room that had no real function anymore, and that they were certainly not forced to live in one room. Keeping visitors waiting in the hall meant it was a good place to show off your wealth and power too, fine woods and marble replaced stone and plaster in the decoration, fireplaces got grander and other treasures could be housed there too. And all the while the visitor was being kept from the family’s private rooms until invited to enter, and the further into the private rooms one was allowed the more intimate or powerful a guest one was.
Audley End
Part 2
top: Syon House bottom: Holkham Hall
By the 18th century there was no longer any notion that the hall was a room for living in, but the entrance hall was still being incorporated in the plans for the grand classical houses of the period. Inspired by the work of Palladio and the classical architecture of ancient Rome (as well as a symbolic rejection of European Baroque) the classical style and English Palladianism became increasingly popular over the 18th and early 19th century. The entrance hall was usually on the piano nobile directly behind the temple front, with stairs on the outside of the building leading up to it. It would have been the first room your guests would have seen and was often very richly and elaborately decorated. The entrance hall’s primary function was to wow your guests. Some entrance halls were large enough to hold parties and balls. A special type of chair was designed to sit in the entrance hall, called, unsurprisingly, a hall chair! They were usually plain wood, not upholstered, and look rather uncomfortable! (see the example below). The staircase was rarely in the entrance hall, but kept separately in another part of the house, often a room beyond the entrance hall. A less grand general entrance may have been added in the ground floor of the house for the owner and his family to enter the house for day to day use, such as that at Chiswick House near London and Nostell Priory in Yorkshire.
The entrance hall at Nostell Priory, by Robert Adam
The homes of the ‘middling sort’ may not have been as grand as the large country homes of the land owners, but would still usually have had a small entrance hall, more like a passageway in most homes. In the terraced houses being built in the towns and cities of Britain with their narrow facades, the passage hall was the most practical design to give access to the rooms behind. Georgian terraced housing was classified in size and features by a rate system, first rate to forth rate. First rate were the largest with the finest features, and usually for the nobility, but it would be a mistake to assume that a third of forth rate house was bad or for the poor, they would still have been way beyond the means of many people, and probably housed merchants and people who could best be described as comfortable rather than wealthy. Third and forth rate house would both have been likely to have a staircase in the hall. You can see examples of how first, second and third rate houses compared (on the façade at least) on the main title picture of my blog! A hall was also a useful way of keeping dirt and grime of the town and city out of the living rooms of a house, confining it to the entrance, and boot scrapers started to appear outside the front door to help with this.
top: Fairfax House Bottom: Carlton House (Regancy)
By the Victorian age the staircase was in the hallway of most new terraced homes. A hall stand was a popular feature in the Victorian hall, a piece of furniture designed to hold coats, hats and umbrellas etc, with a mirror inset within it. Queen Victoria’s love of the Scottish Highlands led to a fashion for the Baronial Scottish style hall, rich with tartans and hunting trophies. A fashion for Gothic Revival brought the medieval hall back in to fashion too, a good example can be seen at Belvoir Castle, Leicestershire.(though strictly speaking this is earlier than the Victorian period!). The eclectic tastes of the Victorians led to Tudor revivals too and Whitwick Manor, in Wolverhampton is a perfect example of this, complete with fancy chimney stacks on the roof and a medieval hall inside!
Linley Sambourne House
Despite this brief revival of the hall during the 19th century, its days of importance were coming to an end. During the 20th century the hall just got smaller, and as architects became more adventurous with designs and materials the hallway was squeezed out of many houses altogether. One good example of the entrance hall in its grandest in the early 20th century would be that at Eltham Palace, full of art Deco splendour!
Eltham Palace
Tuesday, 18 October 2011
Happy Landings!
OK, so you've seen the hallway, now here's the landing on the floor above. Same colour on the walls as in the hall (and same tipsy banisters!). More blue and white china too! The chairs are made from kits by Robert Longstaff. I have borrowed the tall chest from one of the attic bedrooms, to replace a cheap Queen Anne style display case (which if you look carefully can just about be seen on the left of the top photo) which looked OK but wasn't quite what I wanted. I will hopefully replace the chest with a tallboy at some stage (depending on what Father Christmas brings me!) and the chest can return to the attic room it came from! The gold picture frames are from Hobby's, and I've used some seascapes I cut from an old leaflet for the Queens House in Greenwich to fill them.
Monday, 17 October 2011
Making an Entrance!!
Back to the Georgian house for a while. There's not much left to show you in this house really. The hall takes up the space behind the central three bays of my house, on the first floor, with a landing taking up the central three bays of the floor above. That's quite a lot of space really, and if I were building my dolls house again I would have done something different with the space I think.
My hallway looks very plain when compared to John's Merrimen Park. I like the yellow colour, another Farrow and Ball paint; I just love the quality of the pigment in their paints and they do very handy sample tins which are just right for dolls house builders! The colour is Sudbury Yellow, and is based on samples taken from Sudbury Hall. The colour also looks great against the blue and white china I have been collecting. I don't really have much furniture in this room yet, as I was busy getting the main rooms furnished first. The grandfather clock is new, and was made from a white wood kit I got for my birthday. I don't really like the sideboard to be honest, and it will eventually be replaced, but it fills a gap for now!
I'm also unhappy with the staircase, I really struggled with this, and the banisters, but the end result was not great, it all looks a little wobbly to be honest! Unfortunately, I stuck it all in, otherwise I would like to rip it out and start again. I'll put it down as a learning curve (ergh!) and move on!
My hallway looks very plain when compared to John's Merrimen Park. I like the yellow colour, another Farrow and Ball paint; I just love the quality of the pigment in their paints and they do very handy sample tins which are just right for dolls house builders! The colour is Sudbury Yellow, and is based on samples taken from Sudbury Hall. The colour also looks great against the blue and white china I have been collecting. I don't really have much furniture in this room yet, as I was busy getting the main rooms furnished first. The grandfather clock is new, and was made from a white wood kit I got for my birthday. I don't really like the sideboard to be honest, and it will eventually be replaced, but it fills a gap for now!
I'm also unhappy with the staircase, I really struggled with this, and the banisters, but the end result was not great, it all looks a little wobbly to be honest! Unfortunately, I stuck it all in, otherwise I would like to rip it out and start again. I'll put it down as a learning curve (ergh!) and move on!
Saturday, 15 October 2011
More Views of the Shop
Just a couple more pictures of the shop. This is the top floor (Mr Buxton's bed/sitting room) in more detail. The bed clothes are unfinished, as usual the idea of a needle and thread has me running scared! But I like the fabric, it looks a little like patchwork, and there's plenty of the fabric to run up a pair of curtains too.
The alarm clock is from Truly Scrumptious, who do some lovely, unusual miniatures, all hand crafted too. For more details see www.trulyscrumptiousonline.com.
Wednesday, 12 October 2011
The Tudor Shop
Well, I have been a busy boy with the camera today, taking lots of snaps, as you can see. This is the Tudor shop. I didn't build it myself, it was built by my partner's father, and when I met David, it was tucked away, empty and unloved in the attic. Like the Georgian house, it is based on plans form Brian Nickolls, this one from 'Making Dolls' Houses'. Imagine how thrilled I was in finding it! At first I wasn't sure what to do with it, and it was really just used to store various miniatures that I had purchased, particularly after I had started building my Georgian house, and was collecting suitable pieces for it. Whilst I was at the dolls house fairs I kept seeing sweet little packages, and that gave me an idea to create my own period shop. All the windows on the ground floor made the building look like a shop anyway. The wooden beams are all made from English elm wood (what a shame those trees have all but gone these days due to Dutch Elm Disease).
The dolls house is actually based on a real building in Exeter (UK) known as 'The House that Moved'. Which was moved along an entire street in the early 1960s to save it from redevelopment.
And this picture is of that house, which is now a bridal shop I believe.
Tuesday, 11 October 2011
Kristin Baybar's Shop
In my earlier blog about the kitchen above Buxton's shop, I mentioned buying the mixing bowl from Kristin Baybar's shop in Gospel Oak, North London. I had first seen the shop on a documentary called Hello Dollies shown on Channel 4, about dolls house builders and enthusiasts (see earlier blog 'Hello Dollies'). The shop looked wonderful, filled with little room sets and drawers full of miniature things, I knew I had to go there!
I did my research, found the shop, and how to get there, and one day set off to see the shop for myself. Unfortunately, I didn't research well enough, as the train line to and from Gospel Oak was completely closed for months due to an upgrade that was happening for the new London Overground service at the time. I almost headed back home, but was told that a replacement bus service was available, so I jumped on the bus! It was all very exciting, I had never seen any of this part of London before, but began to wonder what route the bus was taking as we seemed to be going further and further into the East End of London, still I thought, it must just be going the long way round. I am not sure at what point I actually was certain that I was on the wrong bus entirely, but it was long before we stopped at our final destination at Stratford, where they are currently building and expensive running track or something. (!!) ((not Shakespeare's birthplace!!!)).
Fortunately, there is a good tube route back to central London from Stratford, so I just went back to where I had started and began again, this time making sure I was in the correct bus! Eventually, I arrived in Gospel Oak!
Was it all worth it? Yes! To be fair the shop doesn't look much from the outside, painted red, it had a large grill covering the window, and you had to ring the bell to get in, but once inside it was wonderland! Kristin herself was very welcoming and invited me to explore all the drawers and have a good root around. There is so much stuff to look at, so many tiny little things, you really do start to feel like Alice after a while! it is not a big shop, but it would take you hours to see just some of the things inside. Kristin doesn't take credit cards, and I had a limited amount of cash at the time, or I would have bought a lot more, but still came home with plenty of treasures.
I believe the train lines are now running again, and it will take a fraction of the time to get to than it did when i first went, even without the massive detour! So, i think it is about time I ventured forth again to Kristin's tiny emporium, what do you think?
I did my research, found the shop, and how to get there, and one day set off to see the shop for myself. Unfortunately, I didn't research well enough, as the train line to and from Gospel Oak was completely closed for months due to an upgrade that was happening for the new London Overground service at the time. I almost headed back home, but was told that a replacement bus service was available, so I jumped on the bus! It was all very exciting, I had never seen any of this part of London before, but began to wonder what route the bus was taking as we seemed to be going further and further into the East End of London, still I thought, it must just be going the long way round. I am not sure at what point I actually was certain that I was on the wrong bus entirely, but it was long before we stopped at our final destination at Stratford, where they are currently building and expensive running track or something. (!!) ((not Shakespeare's birthplace!!!)).
Fortunately, there is a good tube route back to central London from Stratford, so I just went back to where I had started and began again, this time making sure I was in the correct bus! Eventually, I arrived in Gospel Oak!
Was it all worth it? Yes! To be fair the shop doesn't look much from the outside, painted red, it had a large grill covering the window, and you had to ring the bell to get in, but once inside it was wonderland! Kristin herself was very welcoming and invited me to explore all the drawers and have a good root around. There is so much stuff to look at, so many tiny little things, you really do start to feel like Alice after a while! it is not a big shop, but it would take you hours to see just some of the things inside. Kristin doesn't take credit cards, and I had a limited amount of cash at the time, or I would have bought a lot more, but still came home with plenty of treasures.
I believe the train lines are now running again, and it will take a fraction of the time to get to than it did when i first went, even without the massive detour! So, i think it is about time I ventured forth again to Kristin's tiny emporium, what do you think?
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